Night Mooring by Maple Bridge / Zhang Ji, 楓橋夜泊

Zhang Ji's night mooring: Text, Pinyin, and Translation

Zhang Ji's night mooring: Text, Pinyin, and Translation with original text, pinyin, a literal rendering, a readable translation, source location, key terms, and a careful modern reading.

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Zhang Ji Night Mooring by Maple Bridge original Chinese pinyin translation meaning

Night Mooring by Maple Bridge, Zhang Ji, 楓橋夜泊: read "月落烏啼霜滿天，江楓漁火對愁眠。姑蘇城外寒山寺，夜半鐘聲到客船。" before the English explanation.

Original text

月落烏啼霜滿天，江楓漁火對愁眠。姑蘇城外寒山寺，夜半鐘聲到客船。

Yue luo wu ti shuang man tian, jiang feng yu huo dui chou mian. Gusu cheng wai Hanshan si, ye ban zhong sheng dao ke chuan.

Literal layer

The moon sets, crows cry, and frost fills the sky; river maples and fishing lights face my sorrowful sleep. Outside Gusu city, from Hanshan Temple, the midnight bell sound reaches the passenger boat.

Readable layer

Zhang Ji's Night Mooring by Maple Bridge builds a sleepless travel scene from moonset, crows, frost, river trees, fishing lights, temple distance, and a bell that reaches the boat at midnight.

Album of painting and calligraphy for Maoshu from The Metropolitan Museum of Art open-access collection — **Album of painting and calligraphy for Maoshu; Various artists; Gift of Julia and John Curtis, 2015; The Metropolitan Museum of Art.**Album of painting and calligraphy for Maoshu is used as a public-domain poem or landscape surface for line-order reading on Zhang Ji's night mooring. The fit is semantic: the page asks readers to inspect Zhang Ji, 楓橋夜泊 and the term yue luo, while the image remains illustrative rather than proof of the exact manuscript, author portrait, or historical scene.

Reader focus

What this page helps you decide

Zhang Ji's Night Mooring by Maple Bridge is a travel-night poem built from things that do not let the speaker rest. The moon has set, crows cry, frost fills the sky, river maples and fishing lights face the traveler, and sorrowful sleep never becomes real sleep. Then a sound from outside the city arrives: the midnight bell of Hanshan Temple reaches the passenger boat. The poem's center is not just scenery, but distance crossed by sound.

Watch yue luo, wu ti, chou mian; these terms decide where the literal layer and the readable layer separate.
Compare this page with Li Bai's Quiet Night Thoughts and Liu Zongyuan's River Snow before treating the poem as a simple temple-bell scene.

The Poem Before Paraphrase

This block uses Night Mooring by Maple Bridge, Zhang Ji, 楓橋夜泊 as the anchor, with "月落烏啼霜滿天，江楓漁火對愁眠。姑蘇城外寒山寺，夜半鐘聲到客..." kept in front of the explanation.

Full Text: The page uses all four lines because the poem moves from sight and atmosphere to sound. The first two lines create the night around the boat. The last two identify the temple and let the bell cross the distance. Without the bell, the poem is only a cold scene.

Moonset And Crows: Yue luo and wu ti begin with a time marker and a sound. The moon is going down, and crows cry. The line does not open with peaceful moonlight. It opens after light is leaving and with a rough sound in the dark.

Frost Filled Sky: Shuang man tian is a striking phrase because frost is made to fill the sky. The line does not need a meteorological explanation. It gives the night a cold, enveloping pressure that suits the traveler's inability to rest.

Images, Sound, And Emotional Turn

Facing Sorrowful Sleep: Jiang feng and yu huo face chou mian. River maples and fishing lights are outside the boat, but they become companions to the speaker's sleeplessness. Chou mian is not comfortable sleep; it is sleep under sorrow, half blocked by wakefulness.

Gusu And Hanshan Temple: The third line locates the sound outside Gusu city at Hanshan Temple. Place matters here because the speaker is not at home or inside the temple. He is on a passenger boat, near enough to hear, distant enough to feel separation.

Midnight Bell: Ye ban zhong sheng dao ke chuan is the poem's arrival. The bell sound reaches the traveler's boat at midnight. The verb dao matters: sound travels to the boat. The poem becomes memorable because an external temple bell enters a private sleepless night.

Keep the term set visible here: yue luo, wu ti, chou mian. The reading changes if one of these terms is translated too smoothly.

Translation Choices To Keep Visible

Passenger Boat Viewpoint: Ke chuan keeps the speaker in transit. The poem is not written from the temple, the city, or a settled home. It is heard from a temporary boat, which makes the bell feel both near and unreachable. That viewpoint is why the sound can console and intensify loneliness at the same time.

Zhang Ji's night mooring Translation Limit: This working translation keeps passenger boat for ke chuan to preserve travel status. It also keeps sorrowful sleep slightly awkward because the Chinese phrase joins sorrow and sleep tightly. A smoother version can be beautiful, but readers should still see how the original scene is assembled.

Zhang Ji's night mooring Reading Payoff: This page differs from Li Bai's Quiet Night Thoughts because Zhang Ji's poem is not a home-memory gesture but a travel-night soundscape. It differs from River Snow because human signs remain: fishing lights, temple, bell, and passenger boat. The article gives readers a source-based way to understand why the bell line matters.

The reading should end in one practical move: Compare this page with Li Bai's Quiet Night Thoughts and Liu Zongyuan's River Snow before treating the poem as a simple temple-bell scene.

Next reading

Links chosen for reading movement

Li Bai's Quiet Night Thoughts Text, Pinyin, and TranslationFrom Zhang Ji's night mooring, open Li Bai's Quiet Night Thoughts Text, Pinyin, and Translation to compare yue luo with a second checked passage; the path starts from Zhang Ji, 楓橋夜泊, so the link has a specific reading job rather than a generic recommendation.Liu Zongyuan's River Snow Text, Pinyin, and TranslationFrom Zhang Ji's night mooring, open Liu Zongyuan's River Snow Text, Pinyin, and Translation to test the translation boundary against a neighboring source; the path starts from Zhang Ji, 楓橋夜泊, so the link has a specific reading job rather than a generic recommendation.Du Mu's Qingming Text, Pinyin, and TranslationFrom Zhang Ji's night mooring, open Du Mu's Qingming Text, Pinyin, and Translation to move from this wording to a concrete reader workflow; the path starts from Zhang Ji, 楓橋夜泊, so the link has a specific reading job rather than a generic recommendation.Wang Wei's Deer Enclosure Text, Pinyin, and TranslationFrom Zhang Ji's night mooring, open Wang Wei's Deer Enclosure Text, Pinyin, and Translation to keep the next step tied to source evidence instead of a loose related list; the path starts from Zhang Ji, 楓橋夜泊, so the link has a specific reading job rather than a generic recommendation.